• Sep 23, 2015

    Jacquelyn Davis in Artforum Critic´s Picks on Camilla Løw

    "The positioning of works in the space is as if the artist has prepared a stage for a performance—but for objects instead of humans. One can here depend upon the imagination to ignite intellect and emotion."

  • Sep 15, 2015

    Anders Karnell i Nöjesguiden, September 2015

    "Det vore fel att säga att Camilla Løw är något annat än i tiden."

  • Aug 27, 2015

    Håkan Nilsson i SvD om Camilla Løw

    "Det händer hela tiden något i ytan. Kanske ska man därför säga att Løws verk bygger mer på förskjutningar än på repetitioner."

  • Jun 14, 2015

    Konsten.net om Catrin Andersson CREEP BEHAVIOUR

    "Hennes verk är som när naturvetenskap är som bäst: en slags stram poesi rotad i den fysiska världen."

  • Jun 5, 2015

    Omkonst om Catrin Andersson CREEP BEHAVIOUR

    "Catrin Andersson rör sig konceptuellt i en forskningsliknande sfär, men utan att förlora den visuella suggestionen."


Current exhibition

Andreas Mangione Ossobuco 12/11 - 13/12


Elastic Gallery is proud to present Andreas Mangione's first exhibition with the gallery entitled 'Ossobuco'. The show will mark the inauguration of the gallery's new space at Tulegatan 19 in Stockholm.

Ossobuco, meaning ’hollow bone’, is Andreas Mangione’s first solo exhibition at Elastic Gallery. His work is driven by a consistent curiosity. Small pieces of wood and rocks are collected during walks in suburban Stockholm, becoming part of a larger narrative, where details from everyday life are put against a background of historicity through sculpture and drawing.

For his show, Mangione builds a maze-like experience using sculptural forms mimicking a deconstructed Roman sarcophagus. These sculptural containers are used as framework for the small-scale objects and drawings, which are spread out on shelves and platforms in the gallery space. The exhibition is turned into a type of tomb, where life used to reign.

Mangione refers to a notion from ancient Greece where it was said that text, or written language, is a dead version of the spoken voice. This is reenacted through the combination of found and made objects, paired off with a multitude of drawings: seemingly small and made in the heat of the moment. Their pictorial language, adds emotion to the hollowness of the ordinary, begging the viewer to stop and look beyond.

Andreas Mangione (b.1974, Lund, Sweden) graduated from Konstfack, University College of Arts, Crafts and Design, Stockholm in 2005. Exhibitions include: Dieselverkstaden, Stockholm, together with Henrik Eriksson and Clara Gesang-Gottowt (2015), the sound is gone but not forgotten, Signal, Malmö, Sweden (2014), Lucifer Light Study, OEI Colour Project Färgkontoret, Stockholm (2013), Biennale of Young Artists, under curator Rael Artel, Tallin, Estonia (2007), P.A.N.K, Marabouparken, Stockholm, Sweden (2006), to name a few.

Mangione is the editor, together with Fredrik Liew for a publication about Paul Klee and Ivan Aguéli coming out in January 2016 in conjunction with an exhibition at Moderna Museet in Stockholm.

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