ELASTIC GALLERY

News

  • Jun 7, 2014

    Recension i SDS Jone Kvie, Tjörnedala Konsthall

    "Kvie är en klassisk skulptör, som förenar fantasi och observation i verkets skimrande ytor..."
    READ MORE

  • May 9, 2014

    Review of Maria Hedlund´s About Some Kind Of Knowledge in SvD

    One of Malmö’s principal galleries Elastic has, since February of this year, a new address. In Stockholm.
    READ MORE

  • May 3, 2014

    Recension i SvD av Maria Hedlund´s Någon Sorts Kunskap

    Ett av de främsta Malmögallerierna, Elastic, har sedan februari en ny adress. I Stockholm.
    READ MORE

  • May 1, 2014

    Dave Allen WERTHER LOVE BUZZ 15/5 - 14/6

    We are proud to announce our third solo show with Dave Allen preview Thursday the 15th of May
    READ MORE

  • May 1, 2014

    Review on Maria Hedlunds About Some Kind of Knowledge

    Review on Maria Hedlunds About Some Kind of Knowledge translated to English
    READ MORE

Newsletter

Current exhibition

Dave Allen WERTHER LOVE BUZZ 15/5 - 14/6

We are proud to announce our third solo show with Dave Allen preview Thursday the 15th of May

The show will be accombined by a newly commissioned text by curator Will Bradley, based in Oslo.

Show dates 15/5 - 14/6
Preview thursday 15/5 at 5-8 pm

Our culture enfolds us and shapes us; it traps us, but it can also save us. Dave Allen's new show ”WERTHER LOVE BUZZ" at ELASTIC Gallery concerns the highs and lows of the two-way traffic between the ideals of art and the realities of everyday life. Allen's work has often invoked the coincidences between the canonical strategies of conceptual art or modernist composition, and the undying quotidian practice of rock and roll, as a way both to affirm and to satirise art's love affair with the everyday. He has always also questioned the line between contemporary art and those parts of everyday life that also belong to music, and rock music in particular. Here he pushes the question one step further, and focuses on moments in the relationship when things might have changed, moments when things might have been done differently, and wonders what might have been.

Allen's installation "Werther - Love Buzz" is a retrospective attempt to avert a double tragedy. Taking a throwaway remark by Damon Albarn* as his starting point - "if Kurt Cobain had played football, he’d probably be alive today" - Allen has staged a notional 5-a-side football game between imagined representatives of Cobain's 1990s hip ennui and representatives of their historical precursor, Goethe's suicidal Young Werther. Hoping to offer both Cobain and Werther a worthwhile diversion, Allen's carefully deployed and costumed mannequins leave us to imagine how the beautiful game might have looked, if it had been played only by hopeless romantics.

Allen's "Drum Stacks" are a series of elegaic images of drum kits that their owners want to get rid of. Life-size prints are made from drums-for-sale ads, a perhaps unwanted amplification of a moment in a musician's life when they realise that the money, or the space, that they need for a new fridge-freezer, or children's bunk-bed, or simple rent payment, becomes more important than their awkward and bulky instrument. These are images of a dream at the moment of its disappearance, but images of a dream nonetheless.

Images that also describe, in negative outline at least, the heartbreaking dimensions of our everyday lives, and our ultimate accommodation with their unfolding power.

Of course, if your life has come to a crossroads and you have had to sell your drum kit, perhaps you might find solace in the group consciousness of a drum circle, sharing rhythm and getting in sync with the primal collective voice. Or, better still, you could swap instruments and join the "Guitar Circle" that Dave Allen's hand-sewn banner proposes. An untried proposition from a parallel timeline, the guitar circle offers to exchange the faux-tribal consolations of primitive percussion for a specifically modern emotional catharsis forged from the unchained riffs of the collective unconscious; it promises to be as abject as it is transcendent. Don't tell me you won't be there.

Will Bradley, 2014
Curator and Writer, Kunsthall Oslo

* Damon Albarn in NME, sept 16, 1995

Dave Allen is currently showing in the group show, Whole Lotta Love, at Publication Studio, Vancouver until the 21st of June.

Selected Solo shows include The Crowd Waits Outside, Die Raum, Berlin, 2012; Calder Brown, ELASTIC Gallery, Malmö, 2011; RSTR4, Munich, 2010; It Swung Back and Forth, Back and Forth Until Forever. Then it Stopped and it Howled Endlessly, Allgirls, Berlin, 2009; Canon to the Hammer of the Gods, Wiener Secession, Vienna, 2008.

Selected Group shows include
ELASTIC – A Group Show, Elastic Gallery, Stockholm, 2014; This is our Art This is our Music, David Risley Gallery, Copenhagen, 2014; POPISM - Dave Allen / Candice Breitz / Douglas Gordon, Neuer Berliner Kunstverein, Berlin, 2013; Monopol, Norrmalmstorg 12, Stockholm, 2013; I Wish This Was A Song. Music In Contemporary Art, The Museum of Contemporary Art in Oslo, 2012; Sounds like Silence (Cage – 4'33'' – Stille / 1912 – 1952 – 2012), HMKV, Dortmund, 2012; Backstage Riders, Ehemaliges Tagesspiegel Gelände, Berlin, 2011; Wave-Cut Platform, 83 Hill St. Glasgow, 2011; Parkliv, Marabouparken, Stockholm, 2010; This is the Score (Parts I and II), ELASTIC Gallery, Malmö, 2009; Chasing Napoleon, Palais de Tokyo, Paris, 2009; Reduction & Suspense, Magazin 4, Bregenzer Kunstverein, Bregenz, 2009; Richard Prince and the Revolution, ProjecteSD, Barcelona, 2009.

Dave Allen is also know for his "sound and participatory" performances. Recent events include Set Yr Controls for the Heart of Sun House, Dubbelradio/Mobile Radio, Konsthall C, Stockholm, 2013; Inverted and Pursued Ferrari, (with Jakob Riis), Klubb YoYo, Malmö, 2012; Improvisations / Collaborations: Dave Allen / Chris Corsano / Zeena Parkins, Serralves Foundation / Museum of Contemporary Art, Porto, 2011; IASPISH, Hornstull Strand/IASPIS, Stockholm, 2011; Svart Fet Jord, Fylkingen, Stockholm, 2011; Inverted Oh-Ton, Café Fortuna/RSTR4, Munich, 2010; It Swung Back and Forth, Back and Forth Until Forever. Then it Stopped and it Howled Endlessly, Liste 15, Basel / ELASTIC Gallery Malmö, 2010.

Dave Allen graciously thanks Anna Grenås for her help in the realization of Werther Love Buzz.

Welcome
Ola Gustafsson, ELASTIC Gallery

 

 

 

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